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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Miller Puckette</AUTHOR>
	</AUTHORS>
	<YEAR>2007</YEAR>
	<TITLE>Theory and Techniques of Electronic Music</TITLE>
	<PUBLISHER>World Scientific Publishing</PUBLISHER>
	<ISBN>9812700773</ISBN>
	<KEYWORDS>
		<KEYWORD>informatica</KEYWORD>
		<KEYWORD>musicale,</KEYWORD>
		<KEYWORD>tutorial,</KEYWORD>
		<KEYWORD>PureData,</KEYWORD>
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		<KEYWORD>biblioteca</KEYWORD>
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	<URL>http://www.crca.ucsd.edu/%7Emsp/techniques/latest/book.pdf</URL>
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<RECORD>
	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Corelli Simone,  Felici Fabio, Martinelli Gilberto</AUTHOR>
	</AUTHORS>
	<YEAR>2006</YEAR>
	<TITLE>Elementi di cinematografia sonora</TITLE>
	<PLACE_PUBLISHED>Roma</PLACE_PUBLISHED>
	<PUBLISHER>Lambda</PUBLISHER>
	<PAGES>432</PAGES>
	<ISBN>9788890166839</ISBN>
	<KEYWORDS>
		<KEYWORD>film,</KEYWORD>
		<KEYWORD>colonne</KEYWORD>
		<KEYWORD>sonore,</KEYWORD>
		<KEYWORD>multimedia,</KEYWORD>
		<KEYWORD>italiano,</KEYWORD>
		<KEYWORD>libro</KEYWORD>
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	<ABSTRACT>Un libro assolutamente originale che percorre con spirito critico ed amore per il ragionamento le fasi che portano il suono dal set di ripresa allo spettatore in sala, fornendo non solo agli addetti ai lavori, ma anche agli appassionati pi&Atilde;&sup1; esigenti, una chiara visione d'insieme di una cinematogra. a sonora.
E' un libro per comprendere il suono dal punto di vista tecnico ma anche concettuale, per approfondire nozioni note ma anche per cercare nuove strade mettendo in discussione quelle abitudini e tradizioni che hanno ormai perso la loro ragion d'essere di fronte l'inarrestabile avanzata della tecnologia.
Il tutto &Atilde;&uml; corredato di tabelle, grafici e schemi nati dalla pratica quotidiana di professionisti attenti al proprio lavoro.
</ABSTRACT>
	<NOTES>Costo: Euro 46.00
</NOTES>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Mark Ballora</AUTHOR>
	</AUTHORS>
	<YEAR>2003</YEAR>
	<TITLE>Essentials of Music Technology</TITLE>
	<PUBLISHER>Prentice-Hall</PUBLISHER>
	<KEYWORDS>
		<KEYWORD>tecnologie</KEYWORD>
		<KEYWORD>musicali,</KEYWORD>
		<KEYWORD>tutorial,</KEYWORD>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Davide Rocchesso</AUTHOR>
	</AUTHORS>
	<YEAR>2003</YEAR>
	<TITLE>Introduction to sound processing</TITLE>
	<PLACE_PUBLISHED>Firenze</PLACE_PUBLISHED>
	<PUBLISHER>Mondo Estremo</PUBLISHER>
	<KEYWORDS>
		<KEYWORD>elaborazione</KEYWORD>
		<KEYWORD>numerica</KEYWORD>
		<KEYWORD>dei</KEYWORD>
		<KEYWORD>segnali</KEYWORD>
		<KEYWORD>musicali,</KEYWORD>
		<KEYWORD>matlab,</KEYWORD>
		<KEYWORD>tutorial,</KEYWORD>
		<KEYWORD>inglese,</KEYWORD>
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	<URL>http://profs.sci.univr.it/%7Erocchess/htmls/corsi/SoundProcessing/SoundProcessingBook/vsp.pdf</URL>
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	<AUTHORS>
		<AUTHOR>Davide Rocchesso, Federico Fontana, (Eds.)</AUTHOR>
	</AUTHORS>
	<YEAR>2003</YEAR>
	<TITLE>The sounding objects</TITLE>
	<PLACE_PUBLISHED>Firenze</PLACE_PUBLISHED>
	<PUBLISHER>Mondo Estremo</PUBLISHER>
	<KEYWORDS>
		<KEYWORD>sintesi</KEYWORD>
		<KEYWORD>per</KEYWORD>
		<KEYWORD>modelli</KEYWORD>
		<KEYWORD>fisici,</KEYWORD>
		<KEYWORD>oggetti</KEYWORD>
		<KEYWORD>sonori,</KEYWORD>
		<KEYWORD>inglese,</KEYWORD>
		<KEYWORD>materie</KEYWORD>
		<KEYWORD>collegate,</KEYWORD>
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	</KEYWORDS>
	<URL>http://www.soundobject.org/SObBook/SObBook_JUL03.pdf</URL>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Udo Zoelzer, (Ed.)</AUTHOR>
	</AUTHORS>
	<YEAR>2002</YEAR>
	<TITLE>DAFX - Digital Audio Effects</TITLE>
	<PLACE_PUBLISHED>Chichester, England</PLACE_PUBLISHED>
	<PUBLISHER>John Wiley and Sons, Ltd</PUBLISHER>
	<ISBN>0 471 49078 4</ISBN>
	<KEYWORDS>
		<KEYWORD>elaborazione</KEYWORD>
		<KEYWORD>numerica</KEYWORD>
		<KEYWORD>dei</KEYWORD>
		<KEYWORD>segnali</KEYWORD>
		<KEYWORD>musicali,</KEYWORD>
		<KEYWORD>matlab,</KEYWORD>
		<KEYWORD>inglese,</KEYWORD>
		<KEYWORD>libro</KEYWORD>
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		<KEYWORD>in</KEYWORD>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Thomas D. Rossing, Francis Richard Moore, Paul A. Wheeler</AUTHOR>
	</AUTHORS>
	<YEAR>2002</YEAR>
	<TITLE>The Science of Sound</TITLE>
	<PUBLISHER>Addison Wesley</PUBLISHER>
	<EDITION>Third</EDITION>
	<KEYWORDS>
		<KEYWORD>acustica</KEYWORD>
	</KEYWORDS>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Curtis Roads</AUTHOR>
	</AUTHORS>
	<YEAR>2001</YEAR>
	<TITLE>Microsound</TITLE>
	<PLACE_PUBLISHED>Boston, Massachussetts</PLACE_PUBLISHED>
	<PUBLISHER>MIT Press</PUBLISHER>
	<KEYWORDS>
		<KEYWORD>sintesi</KEYWORD>
		<KEYWORD>granulare,</KEYWORD>
		<KEYWORD>wavelets</KEYWORD>
	</KEYWORDS>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Charles Dodge, Thomas Jerse</AUTHOR>
	</AUTHORS>
	<YEAR>1997</YEAR>
	<TITLE>Computer Music: synthesis, composition and performance</TITLE>
	<KEYWORDS>
		<KEYWORD>informatica</KEYWORD>
		<KEYWORD>musicale,</KEYWORD>
		<KEYWORD>tecniche</KEYWORD>
		<KEYWORD>di</KEYWORD>
		<KEYWORD>analisi/sintesi</KEYWORD>
	</KEYWORDS>
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	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Curtis Roads</AUTHOR>
	</AUTHORS>
	<YEAR>1996</YEAR>
	<TITLE>Computer Music Tutorial</TITLE>
	<PLACE_PUBLISHED>Boston, Massachussetts</PLACE_PUBLISHED>
	<PUBLISHER>MIT Press</PUBLISHER>
	<KEYWORDS>
		<KEYWORD>informatica</KEYWORD>
		<KEYWORD>musicale,</KEYWORD>
		<KEYWORD>tecniche</KEYWORD>
		<KEYWORD>di</KEYWORD>
		<KEYWORD>analisi/sintesi,</KEYWORD>
		<KEYWORD>tutorial</KEYWORD>
	</KEYWORDS>
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<RECORD>
	<REFERENCE_TYPE>7</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Francis Richard Moore</AUTHOR>
	</AUTHORS>
	<YEAR>1990</YEAR>
	<TITLE>Elements of Computer Music</TITLE>
	<PUBLISHER>Prentice-Hall</PUBLISHER>
	<KEYWORDS>
		<KEYWORD>informatica</KEYWORD>
		<KEYWORD>musicale,</KEYWORD>
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